1
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Why are you dancing in front of the TV?

2
00:01:51,430 --> 00:01:53,710
You know the show, Showgirls?

3
00:01:54,050 --> 00:01:55,410
Do I know it?

4
00:01:55,990 --> 00:01:58,990
It's one of my all -time favorite films.

5
00:01:59,510 --> 00:02:06,450
Oh. Well, now my college, they're trying
to play on it, and I want to get the

6
00:02:06,450 --> 00:02:09,310
main role, but I'm trying to practice.

7
00:02:11,330 --> 00:02:12,330
Okay.

8
00:02:12,710 --> 00:02:18,990
You know, I may be your step
-grandfather, but you do remember I was

9
00:02:18,990 --> 00:02:25,350
director. I'm retired now, but if you
like, I could

10
00:02:25,350 --> 00:02:27,010
give you a few pointers.

11
00:02:27,970 --> 00:02:33,470
Well, that would really help because
you're my step -grandfather, but I

12
00:02:33,470 --> 00:02:36,770
want to have all your dreams for theater
and all of that.

13
00:02:37,210 --> 00:02:39,490
Okay, well, I can help you. Perfect.

14
00:02:39,810 --> 00:02:42,670
You are way too...

15
00:02:44,520 --> 00:02:46,440
One of the things you've got to do is
relax.

16
00:02:47,000 --> 00:02:51,100
And you've got to be like the character.
See, this character is very confident

17
00:02:51,100 --> 00:02:53,220
in everything that she does.

18
00:02:53,560 --> 00:02:54,560
Okay. Okay?

19
00:02:55,160 --> 00:02:56,820
I've got an idea.

20
00:02:57,620 --> 00:03:04,620
How about we recreate a scene out of the
movie? And that way

21
00:03:04,620 --> 00:03:11,520
I can see how well you do and if there's
any pointers that I can

22
00:03:11,520 --> 00:03:12,279
give you.

23
00:03:12,280 --> 00:03:13,440
What do you think about that?

24
00:03:14,410 --> 00:03:17,090
Yeah, I guess so. It doesn't help me, I
guess.

25
00:03:17,450 --> 00:03:23,590
Well, there's this one scene where she
was confronted with an opportunity, and

26
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she had to make a decision on what she
would do to

27
00:03:28,430 --> 00:03:34,370
better her chances in the role that
she's looking for.

28
00:03:35,370 --> 00:03:40,170
Maybe you can recreate that for her.

29
00:03:40,850 --> 00:03:42,610
Well, it's not going to be weird.

30
00:03:43,310 --> 00:03:49,710
No, no, no. It's just acting. We're
playing a part. You just do what you

31
00:03:49,710 --> 00:03:50,710
do.

32
00:03:51,010 --> 00:03:53,710
Okay. I guess if I can help.

33
00:03:54,590 --> 00:03:55,970
Just feel the part.

34
00:03:56,450 --> 00:03:58,190
Just get into it.

35
00:04:22,800 --> 00:04:27,920
You're still just a little tense. You
need to relax. Just kind of let yourself

36
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go. Just be the character.

37
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Want it.

38
00:04:32,260 --> 00:04:33,260
Okay.

39
00:04:51,600 --> 00:04:55,020
And every once in a while you have to
look up to see if you got the approval

40
00:04:55,020 --> 00:04:56,020
him.

41
00:05:05,760 --> 00:05:07,560
Is that okay, Abuelo?

42
00:05:08,560 --> 00:05:12,980
No, no, no, you're doing good. You're
doing very good. But, I mean, you

43
00:05:13,100 --> 00:05:18,260
really want the part, so you really,
really have to put a lot into it.

44
00:05:22,160 --> 00:05:26,960
You got it. You have to sell that you
want this that you're better than all

45
00:05:26,960 --> 00:05:27,960
others. Okay

46
00:05:50,350 --> 00:05:54,410
And any time you want to throw a little
something in there, you know, oh,

47
00:05:55,470 --> 00:06:01,130
how big you are and all like that, you
know, just kind of... Oh, okay.

48
00:06:01,370 --> 00:06:03,610
Yeah. You'd be a little verbal, too.

49
00:06:05,450 --> 00:06:07,050
Oh, you're so big.

50
00:06:08,350 --> 00:06:09,350
Yes, yes.

51
00:06:11,030 --> 00:06:13,450
The audience loves hearing stuff like
that.

52
00:06:31,060 --> 00:06:32,620
You're pretty good at this.

53
00:06:54,880 --> 00:06:56,040
I'm just going to...

54
00:06:57,740 --> 00:06:58,740
There you go.

55
00:07:01,480 --> 00:07:02,840
I'm just setting the stage here.

56
00:07:03,700 --> 00:07:04,700
Okay. Okay?

57
00:07:04,940 --> 00:07:05,940
Yeah.

58
00:07:06,780 --> 00:07:08,420
Because she would do the same thing.

59
00:07:33,840 --> 00:07:38,120
And here's where he would probably say
something like, you're pretty good at

60
00:07:38,120 --> 00:07:41,080
that. Oh, you or?

61
00:07:41,500 --> 00:07:46,920
No, the other performer would say, being
in character, that you're pretty good

62
00:07:46,920 --> 00:07:47,659
at that.

63
00:07:47,660 --> 00:07:49,180
Oh, okay. And then you would reply.

64
00:07:50,020 --> 00:07:51,320
Oh, thank you.

65
00:07:52,220 --> 00:07:53,220
You too.

66
00:08:37,799 --> 00:08:41,980
Since I know the character a little bit
he's kind of he's a little more handsy

67
00:08:41,980 --> 00:08:43,000
so probably be doing

68
00:08:44,159 --> 00:08:50,840
kind of looking and touching you and

69
00:08:50,840 --> 00:08:52,700
you don't mind right

70
00:09:28,449 --> 00:09:32,230
Nice little ad -lib right there, just
doing the tongue on the tip.

71
00:09:36,470 --> 00:09:39,890
And this time, do it and stare up at
him.

72
00:09:40,490 --> 00:09:41,490
Yeah.

73
00:09:44,690 --> 00:09:45,690
Yeah,

74
00:09:47,270 --> 00:09:49,850
these are all little tips that you need.

75
00:10:04,200 --> 00:10:05,200
Are you feeling it?

76
00:10:05,360 --> 00:10:09,240
Are you feeling the character right now?
Yeah, I think I'm feeling it.

77
00:10:09,460 --> 00:10:10,460
Okay. Yes.

78
00:10:10,580 --> 00:10:11,580
Thank you, Grandpa.

79
00:10:12,020 --> 00:10:17,200
Oh, no problem. Well, we're not quite
done yet. You have to bring it to a

80
00:10:17,200 --> 00:10:18,200
now.

81
00:10:19,580 --> 00:10:21,640
Every scene has to have that moment.

82
00:10:31,630 --> 00:10:33,130
We're going to build it up to that
climax.

83
00:10:33,910 --> 00:10:40,790
We're just going to... Struggle

84
00:10:40,790 --> 00:10:42,050
in your mouth. Struggle in your mouth.

85
00:10:42,450 --> 00:10:43,450
Struggle, struggle, struggle.

86
00:10:49,110 --> 00:10:50,330
Right there.

87
00:11:17,010 --> 00:11:21,250
This is where you look up at him and
say, how'd I do?

88
00:11:23,410 --> 00:11:29,030
You did real well, but I have a few more

89
00:11:29,030 --> 00:11:31,950
girls that I have to interview.

90
00:11:44,460 --> 00:11:45,480
I'm going to get some Italian.

91
00:11:45,720 --> 00:11:47,140
Would you like a casserole?

92
00:11:47,700 --> 00:11:50,080
Can you come in, Grandpa?

93
00:11:51,640 --> 00:11:52,640
Okay.

94
00:11:52,940 --> 00:11:55,120
Wait. Did you get the part?

95
00:12:00,080 --> 00:12:01,080
Did you?

96
00:12:01,700 --> 00:12:06,560
Well, there is another girl in the
waiting list for that.

97
00:12:06,860 --> 00:12:07,860
That's good.

98
00:12:07,960 --> 00:12:09,000
Yeah, but...

99
00:12:11,080 --> 00:12:15,280
I mean, I did my best, but I didn't sew
her, so I'm not sure how she did.

100
00:12:16,280 --> 00:12:18,860
But I'm pretty confident about it.

101
00:12:19,820 --> 00:12:21,260
Being confident, that's good.

102
00:12:21,860 --> 00:12:23,720
So tell me a little bit about the
character.

103
00:12:24,900 --> 00:12:27,340
Well, it was a really dramatic thing.

104
00:12:27,840 --> 00:12:34,340
I did my best. It was dramatic and with
a lot of feelings in it.

105
00:12:34,680 --> 00:12:37,840
I even cried, but I don't know.

106
00:12:38,320 --> 00:12:39,159
Crying's good.

107
00:12:39,160 --> 00:12:43,440
Crying's one of the hardest things to do
as an actor. So that's good.

108
00:12:43,720 --> 00:12:44,720
Okay.

109
00:12:45,200 --> 00:12:51,320
Is there anything I can do to help you?
Do you want to work on some lines or

110
00:12:51,320 --> 00:12:52,320
something like that?

111
00:12:52,460 --> 00:12:58,140
Well, I'm thinking that it's going to be
really weird because it was a boyfriend

112
00:12:58,140 --> 00:13:01,020
and girlfriend scene, so that's going to
be weird.

113
00:13:01,260 --> 00:13:04,200
Okay, listen. It's all acting, okay?

114
00:13:04,620 --> 00:13:05,780
So, look.

115
00:13:06,420 --> 00:13:07,420
I will...

116
00:13:07,530 --> 00:13:09,090
Here, stand up. Here we go.

117
00:13:09,590 --> 00:13:16,470
I will be that boyfriend, okay? And
you're going to tell me your

118
00:13:16,470 --> 00:13:19,670
side of the story and all like that, and
I will listen.

119
00:13:19,970 --> 00:13:22,630
Okay, but I don't think I'm going to be
able to cry right now.

120
00:13:23,130 --> 00:13:26,850
You don't have to cry right now. Just
build it up.

121
00:13:27,710 --> 00:13:28,710
Okay.

122
00:13:28,870 --> 00:13:29,870
I'm listening.

123
00:13:30,910 --> 00:13:31,910
Okay.

124
00:13:32,710 --> 00:13:36,450
Oh, please, please don't leave me. I
don't know what I'm going to be without

125
00:13:36,450 --> 00:13:37,450
you.

126
00:13:39,000 --> 00:13:40,760
Okay, that was pretty good.

127
00:13:41,020 --> 00:13:42,020
Okay. Okay?

128
00:13:42,660 --> 00:13:47,560
Maybe just draw it out just a little
bit, and you're kind of in there, and

129
00:13:47,560 --> 00:13:52,360
just kind of look up at them, and just
quiver the lips just a little bit, like

130
00:13:52,360 --> 00:13:55,360
you're trying to hold something back.
That way you don't have to really cry,

131
00:13:55,360 --> 00:13:59,800
you just kind of sense it. It's, you
know, you're going to improvise it,

132
00:13:59,940 --> 00:14:03,180
Okay. Okay, so let's start again. And I
am listening.

133
00:14:04,910 --> 00:14:08,310
Oh, please, please, don't leave me. I
don't know where I'm going to be without

134
00:14:08,310 --> 00:14:09,310
you.

135
00:14:12,410 --> 00:14:13,850
Better. Okay.

136
00:14:14,490 --> 00:14:16,230
I got it. It's pretty good.

137
00:14:16,670 --> 00:14:23,250
All right. One of the things that you
should do, hon, is get a look at them.

138
00:14:23,330 --> 00:14:24,630
Look. Eyes to them.

139
00:14:25,230 --> 00:14:26,430
The eyes tell everything.

140
00:14:26,810 --> 00:14:30,970
Okay? So do it one more time. When you
go, please, please, please, don't leave

141
00:14:30,970 --> 00:14:32,770
me. Look them right in the eye. Okay?

142
00:14:33,650 --> 00:14:34,650
And...

143
00:14:34,830 --> 00:14:35,830
I'm listening.

144
00:14:39,370 --> 00:14:40,410
Oh, please.

145
00:14:40,930 --> 00:14:44,450
Please, please, please. Don't leave me.
I don't know what I'm going to be

146
00:14:44,450 --> 00:14:45,450
without you.

147
00:14:47,610 --> 00:14:49,870
That's really good, sweetheart.

148
00:14:50,510 --> 00:14:51,510
Okay.

149
00:14:51,990 --> 00:14:56,890
Here, let me... This is what I tell all
the girls in the past. I said, once you

150
00:14:56,890 --> 00:15:03,270
get past the climax, everything after
that is just nothing but razzle -dazzle.

151
00:15:03,470 --> 00:15:04,670
Okay? Okay.

152
00:15:04,890 --> 00:15:09,230
See, you're just going to build it right
up and then it's easy after that.

153
00:15:09,510 --> 00:15:16,510
Okay. So yeah, let me help you out a
little bit and let's, let's see how it

154
00:15:16,510 --> 00:15:17,510
goes. Okay.

155
00:15:17,770 --> 00:15:24,750
So the first thing I'd like for you to
do is, and then

156
00:15:24,750 --> 00:15:25,770
we just take it from there.

157
00:15:26,430 --> 00:15:27,430
Okay.

158
00:15:38,000 --> 00:15:41,060
the make -up sex or the break -up sex.

159
00:15:41,340 --> 00:15:42,360
You want to keep me?

160
00:15:43,100 --> 00:15:44,320
You got to show me.

161
00:15:44,780 --> 00:15:46,420
Okay. Okay? Mm -hmm.

162
00:15:46,800 --> 00:15:47,980
Remember, this is acting.

163
00:15:48,420 --> 00:15:49,420
Yeah.

164
00:15:49,760 --> 00:15:51,580
But it doesn't have to really be acting.

165
00:15:51,840 --> 00:15:53,140
You could really enjoy it.

166
00:15:53,860 --> 00:15:54,860
Okay.

167
00:16:10,730 --> 00:16:11,730
I'm not going over your thirst.

168
00:16:43,400 --> 00:16:46,500
You can do everything and anything to
keep him from leaving.

169
00:17:45,790 --> 00:17:47,930
You're comfortable.

170
00:18:03,020 --> 00:18:05,060
That's it, always stay connected.

171
00:18:49,870 --> 00:18:50,870
mm -hmm

172
00:19:41,250 --> 00:19:43,510
This is the point where it says...

173
00:20:38,540 --> 00:20:41,600
This is all in the awkward part of
taking clothes off.

174
00:29:37,520 --> 00:29:38,520
Thank you.

175
00:31:05,070 --> 00:31:06,470
The creeper has a little...

176
00:33:34,480 --> 00:33:35,480
Should we dance a little dance off?

177
00:33:50,460 --> 00:33:54,640
There we go.

178
00:34:08,139 --> 00:34:15,080
And, uh, I didn't mean to do that inside
you, but, I mean, it's

179
00:34:15,080 --> 00:34:16,080
just for the art.

180
00:34:16,340 --> 00:34:17,340
Okay? Okay.

181
00:34:18,159 --> 00:34:19,098
You'll be fine?

182
00:34:19,100 --> 00:34:22,480
Mm -hmm. Well, it's just, it's running
all over the place.

183
00:34:24,060 --> 00:34:25,060
Oh, okay.

184
00:34:26,480 --> 00:34:28,120
All right. You got it, girl.

185
00:34:28,940 --> 00:34:29,940
Confidence.

